2nd Open Studio- Yuri and Affice opening

I spent open day working on a new zine- I'll post images of both zines in next entry.

After open studio we all headed over to Clear Editions to the opening of a collaboration between Åbäke and Yuri Suzuki- SUZUKI ÅFFICE.

The installation plays on the difficulty of finding locations in Tokyo, especially when you first arrive and are just looking for somewhere to eat or drink- they all seem to be down a narrow flight of stairs or a shop or business is upstairs- more likely up a tiny elevator- a kind of secret city.

From the street you see a small office with a sliver of a dark bar and disco ball. When you turn the corner and enter the gallery, it’s an‘empty’ white room with a small cupboard in the corner- which is the entry to the narrow, low, dark bar- playing good music- although I can’t remember what…

Part of the work is a series of multiples- including a printed glass- more for Glenn Barkley's collection!

More photos- post booze on flickr

From the street.

The gallery starts to fill up, Kajsa wearing an apron on the left.

Going in.

Yuri and Maki man the bar.

Kajsa at pouring beers at the end of the night.

Yuri coming out of the bar at the end of the night, Miwa on the right.

Shibuya Reality Tour- Monday

At the opening of Double Vision the current show at Tokyo WS Shibuya a group of artists from one of the art schools in Tokyo made a work called Shibuya reality tour. I was pretty interested how this would compare to Squatspace's ongoing project about the Redfern/Waterloo area of Sydney called Tour of Beauty. There was some social commentary, but more at a tangent, like when we drove under the rail and road overpass and saw the cardboard city. It was 200 metre from where I walk past nearly every second day but I had no idea it was there.

At two points we were broken up into groups of six and wound our way through the small streets of Shibuya. The tour sometimes pointed out historical interest, like the buildings covers in tin- a precaution against fire and earthquake, adopted for a short period after the 1923 earthquake; found installations like a garden of pot plants in front of a garage roller door, or a broom hanging from a lamppost; and at other times inserting an event or performance. Like when we went upstairs to a Hula dancing school and watched a singer perform in the empty lot below, with the sound amplified in the school only. This was a little surreal, as we had watched Hula Girls the night before at movie night in the artists’ residences.

The highlight for me was an intervention where the students had set up a professional film crew and where filming a scene where one of the French students was asking for directions, the camera angle is quiet wide so you see the boom operator and stage lights and generator. We encounter this as we stumbled out a very small alley directly into the film scene. It was a disorienting moment till you work out its part of the performance. When we arrived back at the gallery we entered to find this “film” being played with each small group emerging, and stumbling around. It was a really nice way to see ourselves as performers and not just consumers. An extra performative level was added when Åbäke handed around, to the silent audience watching the film, beer cans covered with a scan of Mountain Dew can, the room was filled with crack-ppssst of beers opening.

Kampai!

Decision time

White plum blossom- Engakuji

Domestic beauty with pink plum blossom

A house that looks like it belongs in Penrith.

Monday I went to Kamakura- essentially it was to see Fuji from the top of the mountain shrine at Kenchoji, where I had only a cloudy view on my last trip. I also wanted to think about recording there or whether to stick with Yoyogi Park, even though the background of the city is overwhelming. Also I had not seen all the bigger temples, on this trip I visited Engakuji, Tsurugaoka in daylight and Kenchoji again- this time seeing the 700 year old Cyprus trees.

Kamakura is a really nice place to think. There is something about the domestic size housing with gardens, forested hills, ocean horizon and the reduced white noise that reminds me of ‘home’ and enables me to connect to the artist I am trying to be. Maybe its also the steep climbing and unexpected view/outlooks that is a metaphor for the struggle?

Anyway I climbed to the top and got a white clouded view of Fuji, which I guess is also one of the moods of the mountain. I was disappointed in as not a clear day. On the way back to Tokyo I noticed several local passangers looking around to see if there was a view of Fuji. I started to think about a work which is light and captures some of the expression of hunting and collecting views. I am going to start a new blog/artwork that is just about Fuji and will link to it in a new post soon.

Kitsuné launch- wednesday

Maki, Kajsa (one half of Åbäke) and Yuri with the flowers sent for the opening of the “pop-up store” Kitsuné Boutique at Montoak. I still don’t have a photo that captures Kajsa’s joyful energy.

Kitsuné is another one of Åbäke projects, along with two others, a DJ and a fashion designer. It was a very fancy event full of fashionistas and one we only really managed to bluff our way into because I had no idea we weren’t strictly invited.

Second photo: Nicolas, Matt and Miwa after many of the translucent red, white and blue cocktails. Nicolas caught in full emphatic French point making, Matt winding him up, and Miwa laughing AT and with them. At this point I managed to scandalize some people in the uni-sex toilet queue because I bashed on the door of someone taking too long. It turned out to be an employee- probably checking her hair- bloody bludger.

Only on leaving, when I saw one of the store attendants vacuuming the newly laid tri-colour carpet, did I realize there was a French theme going on.

Third photo: After getting chucked out of the launch we went to what has become our “local”. It's a dangerous place- there are no windows, you don’t see the dawn light slowly coming, and end up leaving when the sun is already up. I wonder why I have put on a little weight and then I remember those second dinners at 3am.

Oi Yacho Koen- third trip

Birds by Masato Degawa, Fuji-san and visitors centre by birdmonkey.

Spent windy cold Sunday at Oi Yacho Koen, a nice day including meeting new people and seeing lots of ducks, including the Common Teal and Tufted Duck (above).

Out the way out Masa told me you could see Fuji-san from the walkway bridge over the rain line. When I saw it I clapped my hands and squealed like a ten-year-old girl who has been told that she is going for a pony ride. I still don’t understand the pull it exerts over me. Even this pollution hazed view was exciting.

I have started to think about collecting views of Fuji has a work and see if I can meet any Fuji-san enthusiasts.

Sarah blogged her falling in love with the mountain from the top of the Town Hall. Does anyone have a favourite spot to view Fuji? Or a special story?

Happy Birthday Sarah!

Abiko Bird Museum

I’m not sure why anyone would want to sit in a room full of stuffed birds, although the purple leather couch is sort I would make a bee-line for in other surroundings. I’m not quiet sure what I was expecting from “Bird Museum” and I guess should have guessed there would be lots of dead birds- which usually doesn’t bother me too much- I mean I’m not the sort to cry over dead birds per se, perhaps it was that this space felt more lifeless than the other conservation/ education reserves I have visited here. Although I did learn an important piece of information (perhaps this is because it was one of the only signs translated)- the Japanese Crested Ibis, which is on the cover of the field guide I am using (and makes an appearance in my first zine here- pictures coming), is like the Kakapo in New Zealand, the last 5 where rounded up and are in a captive breeding program on the Island of Sado (there are now 10).

I was thinking about how field guides often have a really rare bird on the cover- New Zealand’s has a Kakapo and Kiwi among other birds, I wonder whether this is because it attracts the twitcher hunter or that rarities have a fame beyond the bird world so are identifiable for non-birders? (while uploading the field image to flickr I realised that the field guide to the birds of Asia also has two very rare birds- the Mandarin Duck and the Baikal Teal)

It was a really really cold day, down round zero with a nasty ice wind coming down from the north, so I didn’t see much moving in the marsh. I did see some white swans- I’m still finding it hard to de-program my Australian birder bias of filtering our ferals and ‘junk’ birds. The marsh around a large lake and it's a fairly urban area so I just assumed that the swans where introduced European Mute Swans and therefore could be ignored. After flicking through the guide at the museum I realised that there are 3 local types of white swans (as well as the Euro feral). On the walk back to the station I saw them again- Whistling Swans.

light music

I rewarded myself for solving some of the problems I found at the beginning of the week by going out to a gig on Friday night at bar that had the odd name of Jazz & Gallery Knuttel House.

Yao, one of the artists on residence, uses fluorescent light as a sound source and performance prop/instrument. He has known for sometime about a Japanese artist, Atsuhiro Ito-san, who also uses fluros and was keen to see him perform while in Tokyo. As I missed the Now, now, festival, I needed my end of January music chaos so went along for the ride.

Watching Yao and Atsuhiro meet, and watching Yao take in the performance was a really nice event. Yao's instrument is quiet different and the texture of the performance is like sound becoming, rather than the guitar-like instrument and wall of sound by Atsuhiro.

The dynamic will reverse in a couple of weeks when Atsuhiro comes to watch Yao perform at the TWS Experimental Music festival.

The Fear

The Fear got hold of me this week. It's that moment in making a new work when you start to see the end of the time you have and start to worry that you have:

a. Wasted time and not worked hard enough;

b. that you have/might have been going in the wrong direction with the work;

c. because you can see the end in sight here, you can see the work load from home piling up too;

and all of the above makes you freeze. No matter that it has also been very cold this week.

snow!

I went to the opening pf Cyber Arts Japan at MOT last night. It was a show that looked at the 30-year history of Japanese artists participating in Ars Electronica (Linz). Unfortunately the exhibition was over designed (lots of wall vinyl- including burnt orange circles) while managing not to give much information. Some of the artists names where in odd places- no translations on the wall panels. This might sound picky but their last show, a fashion show, was really well done. So in some ways this show felt dated and internal- catering to a an “in the know” crowd, which is a pity as there are some really interesting works that I would have liked to know more about.

One of the high lights of the opening was seeing Maywa Denki perform. He has made a series of odd electronic percussive instruments that he plays with others in live performances. They where interesting to see as objects but where so much more when animated. I have been fascinated with the different kinds of Japanese work uniforms, so enjoyed Denki’s use of workers outfits.

Another highlight was Yuki Suzuki- whose locked groove record is pictured 2^nd from the top.

When I left the gallery it had started to snow. It was really beautiful and magical- perhaps not for those who take snowing as a given in winters but I think its only about the 6^th time I have seen snow falling. It snowed for a couple of hours and in the end there was a small (10cm?) layer on the ground- I had thought it would last the night but it was melting when I woke up this morning. I had been debating whether to go down last night at midnight when it was stopping- I guess I should’ve- will know for next time. They have forecast some more snow on Thursday but I guess that could change.

more snow pictures here

Birds- Meiji shrine

Photos of birds by Masato Degawa, photos of human watching birds by birdmonkey.

I had a great Sunday. I meet Masa, who I meet at Oi Yacho Koen, for a day of bird watching in the Meiji Shrine. Masa had told me about the group of Mandarin Ducks who over winter in Tokyo but I had not been able to find them. As it turns out I was looking in the wrong place. We wandered up to the North pond and there they where a group of 9 males and 4 females. The females lack the bright colours but have a beauty of their own in the subtle changes in greys, brown and whites in their feathers. You can see one on the far right of the image 2nd from the top. I am wondering whether the Japanese sensibility for subtle details comes from their wide range of birds that are predominately brown, grey and white.

I explained to Masa that we did not have woodpeckers in Australia and that I had hoped to see several of the species they have in Japan. As is the way when you go to an area with an experience bird watcher you usually see more than you would on your own- hey presto! My second species- a Japanese (green) woodpecker.

Later at the bird reserve in Yoyogi we also saw Hawfinches. A field guide I like, 3 new birds, good company- a great day.